Just putting a new designation and tweaking a few glyphs here and there would not do the designer or the typeface justice instead, I chose to redraw each glyph’s skeleton from scratch for the four main subsets of the super family along with their italics. Years went by before I was willing to pick it up again and invest the proper time into building a viable and useful recut. When the original Aaux was introduced in 2002, I intended to go back and expand the family to offer more versatility.
